Finding the Voice You Swallowed
Many of us learned, early and well, to make ourselves quiet. Voice work is the practice of releasing what we swallowed.
Listen to how people describe being silenced, and you notice that the language is physical. We speak of biting our tongue, of swallowing our words, of having a lump in the throat, of being choked up. This is not mere metaphor. The act of holding back what we want to say, of silencing ourselves, registers in the body, in the throat and jaw and breath, and over a lifetime of doing it, the suppression can become structural. Many of us learned, early and thoroughly, to make ourselves quiet: to not be too loud, too much, too emotional, too honest. We learned that our voice was unwelcome, or unsafe to use, and we swallowed it. Voice work is the practice of finding that swallowed voice and letting it out again, and it turns out to reach far deeper than learning to sing or to speak up.
To understand why the voice carries so much, consider what it actually is. The voice is among the most personal expressions of a self, the literal sound of your inner life made audible, the instrument through which you say who you are, what you feel, what you need. So when a person learns to suppress their voice, to keep quiet, to not express, they are suppressing something close to the core of themselves. The held-back voice is rarely just about volume; it is bound up with held-back feeling, held-back truth, held-back self. This is why voice work so often becomes unexpectedly emotional. People come to free a tight or quiet voice and find that what was stuck was never only sound. Releasing the voice, fully using it, making the sounds we have not let ourselves make, can release the emotions and the self that were held back along with it. The throat, it turns out, has been holding more than air.
There is a physiological layer here too, and it is real. The voice is produced through the vocal cords and the muscles of the throat, and this region is intimately connected to the vagus nerve1, the body's main pathway of calm and regulation. Using the voice fully, through sound, singing, toning, and the deep breath that voice requires, stimulates and tones this nerve, which is part of why vocal expression can shift the state of the whole nervous system, releasing tension and inducing calm.2 The breath that real voicing demands, deep and supported, is itself regulating. So voice work is not only emotional and expressive; it is somatic, working directly on the body's physiology of safety and release. To open the voice is, quite literally, to open the throat, the breath, and a channel of the nervous system at once.
What does voice expression work actually involve? Less performance than you might fear. A voice expression facilitator guides you, through breath, sound, toning, and free vocalising, to release the held tension in your throat and to reclaim the full range and power of your voice. This might mean making sounds you would never normally make, sighing and groaning and toning, humming and chanting, eventually perhaps singing or speaking with a freedom you have not felt. It is often playful and exploratory, and almost always, at some point, surprisingly moving, as the release of long-held vocal tension lets long-held feeling move too. The aim is not a beautiful voice in any conventional sense. The aim is a free one: a voice that is no longer choked, that can express the full range of what is in you, that takes up the space it was always entitled to.
The deeper work, beneath the breath and the sound, is about permission and reclamation. So many people have learned to take up little space, to keep their voice and their truth small, and to free the literal voice is often to begin freeing the metaphorical one too, the willingness to be heard, to say the true thing, to be fully present and expressed in the world. A voice expression facilitator helps you reclaim not just vocal range but the right to use your voice at all, which for someone long silenced can be a genuinely liberating, even life-changing, shift. People often find that as the voice opens, something else opens with it: a confidence, a presence, a refusal to keep shrinking.
So if you have a tight throat, a quiet voice, a sense that you are forever holding something back, consider that your voice may have been swallowed long ago, and that it can be found again. The work of releasing it is the work of releasing something in yourself, the held breath, the held feeling, the held truth, and the self that learned, too early, to keep quiet. Your voice was always meant to be heard. It is not too late to use it.
To release the voice you have been holding, find your guide.
( sources )
- 1The vagus nerve runs through the throat, supplying the larynx, on its way to the heart, lungs and gut.Breit et al., Vagus Nerve as Modulator of the Brain–Gut Axis in Psychiatric and Inflammatory Disorders, Frontiers in Psychiatry (2018) read it ↗
- 2Long, slow exhalations are thought to calm the body through the vagus nerve. This is a proposed model, still being tested; that singing or toning 'tones' the nerve is not yet shown.Gerritsen & Band, Breath of Life: The Respiratory Vagal Stimulation Model of Contemplative Activity, Frontiers in Human Neuroscience (2018) read it ↗
Written by HAWA from the sources and reading listed here. It is for information, not medical advice; see our wellness disclaimer.
( references & further reading )
Books
- Stanley Rosenberg, Accessing the Healing Power of the Vagus Nerve (2017), on voice and the vagus
- W. A. Mathieu, The Listening Book (1991)
- Chloë Goodchild, The Naked Voice (2015)
- James D'Angelo, The Healing Power of the Human Voice (2005)
Listen
- Talks and practices from established voice and sound teachers
- On Being with Krista Tippett, episodes on voice and presence
The thinking behind it
- The connection between the voice, produced through the throat and vocal cords, and the vagus nerve, the body's main pathway of calm; vocal toning, singing, and the deep breath that voicing requires can stimulate this nerve and shift the nervous system. The wider understanding, in voice and somatic work, that suppressing the voice is bound up with suppressing feeling and self, so that freeing the voice can free what was held with it.
Editorial